Friday, November 27, 2009

FREE FICTION: Triumff: Her Majesty’s Hero by Dan Abnett, Day One

To my readers: The holidays are, as always, a very busy time. I have a neat project that I am working on for an author, which is taking up a chunk of time that I normally would use for reading books to be reviewed on here, so to both take the immediate pressures of getting a review up here off, as well as to offer you all a nice holiday treat, I offer five days of Triumff: Her Majesty’s Hero by Dan Abnett. I hope you enjoy each day’s preview, and look forward to the return of reviews in about a week!


NOTE: TRIUMFF: HER MAJESTY’S HERO CONTAINS SOME LANGUAGE NOT APPROPRIATE FOR YOUNGER READERS.


TRIUMFF



Her Majesty’s Hero

-*-



Being the true and authentick account of the expl’ts and

incid’nts following the re-turn to London

of

Sir Rupert Triumff, adventurer,

from his celebrated Voyage of Discovery to the Meridional Climes.

Never before made publick.

-*-

Given in this, my hand, this XXIIIrd day of Aprile,

XX hundred and X Anno Domini,

in the splendid reign of the thirtieth Gloriana.

Vivat Regina!

Wllm Beaver, esq.



Editor’s Notice to the Great Variety of Readers



For those readers unfamiliar with the affairs and nature of the Anglo-Hispanic Unity, care has been taken to furnish Master Beaver’s manuscript with footnotes and commentary to make all such matters comprehensible.


However, this editor has been charged with making the following basic facts known from the outset. The Anglo-Hispanic Unity, the longest-lasting and most powerful Empire ever to arise upon this terrestrial stage, was founded in the year Fifteen Hundred and Seventy-Five, following the marriage of Queen Elizabeth the First of England to King Philip the Second of Spain. Said union of power and lands, including as it did the virginal tracts of the New World, soon eclipsed all other nations of the globe, and has persisted since, through a worthy line of potent female monarchs, all styled “Elizabeth Gloriana”.


The other matter that helped to preserve the pre-eminence of the Unity was, of course, the Renaissance, which thoroughly reawakened the Sublime Lore of Magick, dormant since Antiquity. The schools and employment of the Esoteric Arte of Magick were monopolised by the Church and Church-Guilds of England, and ensured the Unity’s absolute command and superiority over all the World, especially the British bits of the Unity.


This didn’t please the Spanish bits very much at all. But that’s another story.


Part of this one, in fact.



The Persons of the Story


SIR RUPERT TRIUMFF, gentleman adventurer and lately come discoverer of The Vast Southerly Continent

AGNEW, his man

LORD CALLUM GULL, Laird of Ben Phie, Captain of the Royal Guard

CARDINAL THOMAS WOOLLY, first minister of Her Majesty’s United Church

SIR JOHN HOCKRAKE, Duke of Salisbury, a scoundrel

ROUSTAM ALLASANDRO DE LA VEGA, Regent of Castile, Governor of Toledo, and victor of Lille

ROBERT SLEE, of the Queen’s Privy Council

THE DIVINE ALEISTER JASPERS, a junior officer of the United Church

UPTIL, a noble autochthon from foreign climes

DOLL TARESHEET, a notable actress of the Wooden Oh and these parts

NEVILLE DE QUINCEY, a police surgeon and examiner

MOTHER GRUNDY, of the countryside

GIUSEPPE GIUSEPPO, an Italian gentleman of ingenuity

TANTAMOUNT O’BOW, a villain

CATHEAD



& in addition, divers servants, ladies and lords, as well as some personages I might have forgotten in this compilation, along with copious hautboys and tapers, and fanfares on all entrances and exits

the setting is the present day

staged in the modern style

Vivat Regina!



The First Chapter


Which is set upon St Dunstan’s Day



It had rained, furiously, for all of the six days leading up to St Dunstan’s Day.

Water rattled off slopes of broken slates, streamed like horse-piss from split gutters, cascaded from the points of eaves, boiled like oxtail soup in leaf-choked drains, coursed in foamy breakers across flagged walks, and thumped down drainpipes in biblical quantities. For the same measure of time that it had taken the Good Lord God to manufacture Everything In Creation, the entire city was comprehensively rinsed. There was water, as the Poet had it (the Poet, admittedly, was wont to have it mixed with brandy), everywhere, and every drop of it was obeying Newton’s First Law of Apples.

In the rents of Beehive Lane, near Boddy’s Bridge, un-potted chimneys guzzled in the rain and doused more than a score of ailing grates. The steep cobbled rise of Garlick Hill became a new tributary to the Thames, and the run-off that washed down it from the foundations of the spice importers’ hilltop barns had loose cloves floating in it and tasted like consomme. At Leadenhalle, the rapping of the rain upon the metal roof drove several market traders temporarily psychotic, and deprived many more of their usual cheery dispositions, and so the cheap was suspended until the inclement weather subsided (“if sodden London don’t subside first” remarked more than one tired and emotional stall-holder). Many worried that, if the fantastically grim weather persisted, the Great Masque that coming Saturday might itself have to be abandoned. And that didn’t bear thinking about.

The Fleet, the Tyburn and the Westbourne all spilled beyond their courses, and enjoyed wild excursions through the streets of the ditch-quarters and the wharfs. More refuse was then moved by force of flood than is in a month by the municipal collectors, though, to be fair, the Noble Guild of Refuse and Shite Handlers had been on a go-slow since 1734, following a dispute over the scale of Yuletide gratuities.

The city’s watergates were all choked to drowning point, each gagging like an over-eager sot on an upturned bottle of musket. Conduits thundered with the passing pressure, their stonework trembling, and voided themselves with huge tumult into the Thames, casting up mists of rainbow spray from their cataracts. Men from the Guild of Cisterns and Ducts visited each city conduit daily in turn and stood, dour and drenched by the spray, shaking their heads and tutting.

The Cockpit on Birdcage Walk became so full that the stewards had to open all the public doors to vent the water before gladiation could begin that night. Small boys had been found sailing rival armadas of paper man-o-wars from the pit rails. Even after the stewards’ action, some said the only birds worth betting on that night were ducks. When it did eventually occur, the cockfight proved to be a notable and famous bout, featuring a title fight for the Bantam Weight Champion of All London. The contenders were Cocky Joe, a six-pound, experienced fighter trained by John Lyon of Poplar, and Bigge Ben, a twelve-pound newcomer presented by one Thomas Arnes of Peckham. The eventual victor, Bigge Ben, was later disqualified when it was discovered he was a cunningly disguised buzzard, and Cocky Joe reinstated, though by this time he was full of onion and three-quarters roasted.

The rain fell on all. It made no distinctions for rank, and offered no exceptions for situation. It hammered on the unprotected heads of the impoverished and loose of bowel in the jakes of Shite-berne. It drizzled off the leaded glass of the Palace Mews. It fell with a continuance and persistence that was nothing short of impertinent.

From Cornhill to Ludgate, not one thing in the whole Vale of the Thames prospered, except perhaps the osiers and watercress in the marshes.

When one of the wags in the Rouncey Mare off Allhallows Walk remarked upon the fact that there was no superstition associated with so many days of rain before St Dunstan’s Eve, it was volubly decided that there bloody well ought to be, and bloody well would be before the tavern closed, so long as liquor sufficiently inspired the collective imagination. Indeed, sometime after ten that night, a handsome and appropriate saying was devised by a drover of advanced years named Boy Simon, but sadly it had been forgotten by the time daylight crept in and announced the dawn of St Dunstan’s Day.

The towers and steeples of a hundred and nine churches shivered at the dismal morning and driving rain, and bells slapped out the hour of daybreak as if the water had softened their clappers. Most of the City’s population grimaced in their states of sleep and rolled over. Those up and active through the necessity of their various offices shuddered grimly and went about their business in hats and hoods and long, soggy capes. A carter, late delivering for a fish-monger in Billingsgate, overturned on the corner of Windmill Street, and his entire cargo swam off through the neighbouring byways. Shortly afterwards, a magistrate in Rudlin Circus was painfully thrown when his horse was bitten by a passing turbot. The fishmonger was sanguine, however, as sales of fish had fallen dramatically in the course of the week.

One of the hundred and nine churches tolling out that lubricated morning was St Dunstan’s Undershaft, near the New Gate, where the aforementioned saint’s day was about to be celebrated. Dunstan, a ninth century Norfolk lacemaker, died piously during the notorious Woolcarder’s Revolt of 814, and was canonised in 1853 during the Diet of Cannes. He is the Patron Saint of boundaries and hedges, lacemakers, undergarments and impalement, though not necessarily in that order.

In the damp shade of St Dunstan’s porch, valiant observers of the martyr’s festival (the eleventh day of May) made garlands of flowers and ribbons, and glumly offered small lace keepsakes showing the saint “being martyred on the sharpened fence” for sale to empty streets. The deluge had kept almost everyone away. Large sections of the regular congregation had found drier things to do, and a promised coach party of pilgrims from the provinces, composed in the main of folk from the popular Christian sects the Orford Doxies and the Exeter Terrestrials, had not materialised.

Even the priestesses in the Temple of the Justified Madonna across the road from St Dunstan’s had decided for once to wear clothes. They stood, red-nosed and corset-clad, in the windows of the seminary, and occasionally waved encouragement to the St Dunstan’s band across the street. Needless to say, the folk of St Dunstan’s didn’t wave back.

Two streets behind St Dunstan’s, an alley too insignificant to have a name of its own led through the rents to Chitty Yard. It was raining there, too.

The yard was a paved square, forty feet across, flanked on one side by the dingy rears of the rents. To the other three it was enclosed by the back of the once-imposing Chitty House. A small fountain, in the shape of a dismayed griffon, stood at the centre and had been dry for seventy-three years. It was full now, of leaves and rainwater.

The Chittys had come into money late in the previous century, thanks to a small miniver business that had flourished at a time when cuffs and collars were worn hirsute. They had built Chitty House as a headquarters and town residence, and occupied it continuously until the last Chitty had died of fur on the lung twenty years previously. Since then, the building had been a tannery, a hostel for drovers, a bordello (twice), a store for timber, an eating house, and a singularly unsuccessful farrier’s (one Joseph Pattersedge, who suffered from chronic hippophobia). Now it was empty, with its rafters open to the weather, and its environs were of interest only to vermin, weary beggars or those in need of privacy.

At dawn on St Dunstan’s day, four of the latter were assembled in the hidden yard. One was a diminutive, portly Spaniard from Valladolid, who huddled from the rain under the stoop of the storehouse wing, his ruff and waxed moustache as limp as his expression. He clutched a velvet cape and a plumed hat that did not belong to him. Opposite him, across the yard, stood a rake-thin man of Suffolk descent, an imposing figure over six feet tall, dressed in a simple suit as grim as his countenance. He too held clothes that were not his. Every few seconds, he winced slightly.

The other two individuals in the yard were trying to kill each other.

Lord Callum Gull, Laird of Ben Phie, Captain of the Royal Guard, Scottish to the marrow (“and loyal to the courgette” as the old saying goes), edged around the yard with four feet of basket-hilted steel swinging from his hand. His red hair was plastered to his skull, his linen shirt was sticking to his rangy form, and his breath was rasping through defiantly clenched teeth. He knew well his Livy, his Caesar, his De Studio Militari and his Vegetius. He knew extremely well the finer points of The Art of War, particularly the one on the end of his rapier.

Sir Rupert Triumff, seafarer, Constable of the Gravesend Basin and celebrated discoverer of Australia, was commanding over a yard of sharpened metal of his own. His black locks hung in ringlets around his brow, his shirt had acquired two extra slits since he had put it on that morning, and he was humming a song about the Guinea Coast for no real reason at all. Triumff had once read the title page of Vegetius, owned a risible translation of Livy, and often quoted Caesar, even though he had never been within ten feet of a copy. He was not, at that stage, entirely sure what day it was.

Triumff danced and stumbled around Gull in a way that looked almost, but not quite, deliberate. He tossed his rapier from hand to hand. The gesture suggested he was a nimble, gifted swordsman, but in truth had more to do with the fact that he couldn’t remember which hand he was supposed to be using. Each exchange of grip caused the slender witness in black to wince again.

With a snarl, Gull lunged for the umpteenth time, and added another vent to Triumff’s left sleeve. Backing up rapidly, Triumff looked down at the gash, tucked his blade under his arm like a cane, and fingered the damaged cloth.

“Fuck,” he remarked.

“En garde!” barked Gull, and crossed.

Triumff spun hastily, ducked, and came up again holding his sword by the blade, with the basket grip bobbling threateningly at his adversary. There was a pause. Slowly, Triumff adjusted his depth of field from his opponent to the nearer hilt, noticed the blood dribbling from his fingers, and dropped the rapier smartly.

“Poxy thing!” he said, sucking at his sliced fingertips. Blood collected in his beard, and spattered his doublet, making it look as if he had been punched in the mouth. He continued to complain through his stinging fingers.

Gull tapped Triumff on the breast-bone with the point of his sword. The Scot’s black eyes always looked angry, even when he was not. It was said in the Royal Guard House that if Gull’s lids were ever peeled back during slumber, he’d still glare with the liquid black eyes of an enraged bullock. Now, his demeanour perfectly matched his natural expression.

“Pick up,” he said softly, his words gnawing into the air like acid, “your bloody sword, you cussed knave. Though I’ll delight in filleting you, I’d rather do it while there’s a blade in your hand.”

Triumff looked down at the urging sword tip, and then up at Gull, and nodded.

“Right… right… of course…” he replied, turning to look for his fallen blade. To the side of the yard, the man in black covered his eyes, and started in on the Lord’s Prayer, sotto voce. The man in black’s expression increasingly resembled that on the face of the fountain’s stone griffon, which in turn suggested that the mythical creature had been intimately violated against its will, and without much in the way of warning.

The rapier had rolled to rest in the lea of the fountain bowl. Triumff steadied himself on the griffon’s beak as he stooped to recover it. He grasped the weapon in his uninjured hand and straightened up.

Even during his more sober periods, the weapon had been a bother to him. It had been a gift, a reward for his exploits, bestowed upon him by the president of the Royal Cartographical Society. It was a Cantripwork Couteau Suisse, or Schweizer Offiziersmesser, an elegant instrument manufactured to the exacting specifications of the Victorinox Cutlers of Ibach. According to the owner’s handbill, which had been packed into the presentation box underneath the velvet padding, the device was capable of auto-selecting any number of tools or blades, which it deployed from its ornate brass basket hilt at the flick of a trigger built into the knurled alox handle. One deft touch made it a sword, or a bottle opener, or a device for removing stones from horses’ hooves.

Triumff looked down at his weapon. He noted the Helvetic cross-and-shield emblazoned on the tool’s grip, denoting the weapon’s fine engineering provenance. He also noted, belatedly, that at some point during the whole dropping-it-and-picking-it-back-up-again process, the trigger had been depressed. The Couteau Suisse was currently less well suited for duelling with an incensed Hibernian swordsman, and more for removing cross-head screws. Triumff swore again. He pressed the trigger. The intricate, jinx-powered mechanism inside the decorative basket hilt whirred, withdrew the screwdriver, and meticulously replaced it with a nail buffer.

Triumff began pressing the trigger repeatedly, and, in quick succession, readied himself to open a can, pluck an eyebrow, and do a little fretwork.

He shook his head and held up his other hand.

“Hang on, hang on,” he said. “Arsing thing.”

Gull stood his ground, glaring.

“Ever had a go with one of these doo-dabs, Gull?” Triumff asked, depressing the trigger with an increased degree of impatience, and consequently selecting long-nose pliers, a fishing rod, a metric rule, and then an auger. “All very clever and fancy, I’m sure, but it’s more trouble than it’s worth.”

“I’m not one for gadgets,” growled Gull.

“Me neither! Me bloody neither!” Triumff agreed vehemently. He clicked the trigger one last time and let out a bright, “Aha!” as the rapier blade snapped back into place.

“Right! There you go!” he declared, flourishing the blade. “That’s what I was looking for! As you were!”

The energetic flourish had made his vision spin a little. He shook his head in an effort to clear it, blinked dizzily, and took a step forward. A loose flagstone dipped under his foot, and several pints of brown rainwater gouted up his leg, soaking his breeches. He stumbled, and steadied himself, looked down at the stone, and dabbed dispiritedly at his ruined trousers.

“Watch that, Gull,” he said, indicating the flagstone. “Loose flag. You could take a nasty tumble on that.”

Tried beyond a threshold of patience he had been sporting to observe even that far, Gull screeched something Caledonian and pejorative, and flew at Triumff. Only fickle fortune positioned Triumff’s sword correctly to block the thrust. Gull riposted, and the blades clattered again. He hammered three times more until his sword rebounded from the knurled quillon of Triumff’s fluttering weapon.

“Steady on,” said Triumff, as if surprised.

Gull threw himself bodily at Triumff, their swords locking like the antlers of rutting stags. He drove Triumff back four or five yards, until the discoverer of Australia slammed hard into the kitchen wall of Chitty House. There, Triumff lurched forward, sweeping his sword around at Gull. It would have been a quite magnificent touché, had it not been for the fact that the Couteau Suisse had become, by then, a letter opener. With a strangled and vituperative curse, Triumff selected the rapier blade, again, and swung it wildly, but the distraction had been enough. The Captain of the Royal Guard parried easily, and then cut low, slicing a new pocket hole in Triumff’s breeches and a flap of skin out of the thigh beneath. Triumff sucked in his breath as blood, diluted by rain, soaked his leggings. Looking down, he found that one breeches leg was stained red and the other brown with mud.

“Motley!” he exclaimed breezily, and then looked in danger of fainting. He slumped back against the kitchen wall and dropped his guard wearily. Gull’s sword was immediately at his throat.

“You’re beaten, you bastard,” hissed Gull, “and what’s more you’re pissed. You might at least have done me the honour of duelling me sober.”

“Is this all because of those things I said about your sister?” asked Triumff, absently. “And if it is, can you remind me what I actually said?”

“You challenged me, you drunken fool!” Gull growled.

“Oh… really? Then let’s just forget it.”

Gull stared into Triumff’s eyes.

“Not this time,” he said. “This time you bleed. This time, I’ll give you something to remember me by.” Slowly, surgically, Gull drew his rapier-point across Triumff’s left cheek. Dark red blood welled up and ran.

“Learn from this, you wastrel. Don’t cross me, and if you do, keep up your guard,” said Gull. “Though I hear it’s not the only thing you can’t keep up,” he added.

Triumff frowned as the jibe percolated slowly through his drink-crippled comprehension. Then his eyes snapped open, frighteningly sober for the first time.

“You can stuff that opprobrious tattle up your scabby hawsehole!” he exploded. His blade lashed out in a vicious blur that wrong-footed Gull entirely. The blow was instinctive, angry, and undirected by any conscious thought, and if it had been struck with the rapier blade rather than a vegetable peeler, Gull would have been on his way to his family mausoleum on the shores of Loch Larn. As it was, severed air fell away on either side of the small but razor-sharp implement. There was a brief impact, a sound like cabbage splitting, a yowl, and a spray of blood.

Gull left the yard in a bounding, frantic stride, his portly Spanish second fluttering in his wake and squeaking, “Señor! Señor capitan!”

Triumff slid to the flagstones, his back against the wall. He looked down at something that was cupped in his outstretched hand.

“Gull? Gull, don’t go,” he called out, weakly. “You’ve left an ear behind.”

The man in black stalked across to the sprawled drunk.

“Agnew,” said Triumff, looking up blearily, “Gull forgot an ear.”

“Really, sir.”

Triumff nodded, and then put a hand to his bloody cheek.

“You’d better call me a surgeon, Agnew,” he said.

“I’d rather,” muttered the older man on reflection, “call you a silly arse, sir.”

Tuesday, November 24, 2009

Annihilation: Book Three by Keith Giffen, Christos N. Gage, and Stuart Moore


Following up the first two volumes of the Annihilation saga, we get to the explosive wrap up in Annihilation: Book Three. All of the four major story lines come crashing together, and the tale reaches an end, in the parts listed below:


Annihilation by Keith Giffen: The major event that everything was leading up to, Annihilation depicts the United Front, lead by Richard Rider (aka Nova), as they struggle against the seemingly endless onslaught of the Annihilation Wave. Gathering together a large cast of characters, including a number of the heralds of Galactus, Ronin the Accuser, Drax the Destroyer, and Peter Quill (Star-Lord), among many, many Kree and other characters, Nova’s forces are struggling to fight a losing battle. Even the surprise reappearance of a character thought dead doesn’t seem to have an effect. How can completely over-matched heroes turn the tides on an evil so powerful it could overthrow even Galactus? Everything is thrown into this story of epic space warfare, as huge armies on both sides and lots of big name characters go at it with the fate of the universe on the line. With plenty of twists, Annihilation is sure to satisfy any fan of Military Science Fiction.

Annihilation: Heralds of Galactus works as a sort of epilogue to the whole event, containing four short stories following four of Galactus’ heralds. Reviews of each story:

“Parasites” by Christos N. Gage: Terrax was under the control of Annihilus, but after the end of the war, his forced subservience is done, and he sets out, with Paibot and the Delinquent, to reclaim his honor and reputation as Terrax the Tamer. An entertaining but light tale that gives some closure to Terrax’s plot thread.

“Stardust: A Death of Hope” by Stuart Moore: Thought dead in the pages of Annihilation, Stardust turns out to be far harder to kill, and this tale gives much more detail on his origin than had been previously seen, as well as depicting Stardust’s return to his master. The weakest of the four stories, but still not bad, with a very interesting depiction of some very “alien” aliens.

“Afterburn” by Keith Giffen: The only herald whose fate was assured at the end of Annihilation, Firelord sets out to capture and execute members of the Centurions, Annihilus’ special army of super-powered beings, to serve justice against their war crimes. A well-conceived tale.

“Brother’s Keeper” by Keith Giffen: The final story is the most action-packed, with the Silver Surfer and Galactus facing Aegis and Tenebrous, wrapping up one of the last few remaining loose ends. The most exciting and fun piece of the four.

Annihilation: Nova Corps Files by Michael Hoskin, Anthony Flamini, Jeff Christiansen, Sean McQuaid, Ronald Byrd, Chris Biggs, Eric Engelhard, Chad Anderson, Stuart Vandal, Mike Raicht, and Mark O’English: A “data file” of all of the main players in Annihilation, this section gives their biographies as well as other pertinent information. By the end of the main storyline, some of the things in this section seem a little outdated (Annihilation: Nova Corps Files having been released before the conclusion of Annihilation originally before this collection), but it was still neat to get further information on where everyone came from before this story. A very in-depth and interesting source.

Annihilation: Book Three really closed things up on a huge, exciting, powerful conclusion, and built some major excitement for the continuations of the Marvel Cosmic milieu. After the conclusion of Annihilation, the ongoing series Nova begins, and leads directly into the Annihilation sequel, Annihilation: Conquest. That event in turn lead to the ongoing series Guardians of the Galaxy, and then things reach a head again in the major event War of Kings and its imminent sequel, Reign of Kings. All of these are things that Luke Reviews will definitely be checking out.

9/10

Sunday, November 22, 2009

Annihilation: Book Two by Keith Giffen, Javier Grillo-Marxuach, and Simon Furman

After the events depicted in “Annihilation Prologue” (which is found in Annihilation: Book One), the story of Annihilation broke into four major plot threads, each dealt with in a separate story. The first, Annihilation: Nova, was contained in Annihilation: Book One, while Annihilation: Book Two contains the other three, all leading up to the major storyline in Annihilation: Book Three.


Annihilation: Silver Surfer by Keith Giffen: As seen in “Annihilation Prologue,” the Silver Surfer felt an “infestation” in the universe, and went out searching to find its cause. However, he finds far more than that, bumping into Gabriel Air Walker, an Android friend of his, being murdered by men going by the name of Seekers. The Surfer uncovers a plot to hunt down all of the former heralds of the being known as Galactus, a hold-over from the universe that existed prior to the Big Bang that started ours. Giffen, the mastermind behind much of the Annihilation event, brings a compelling tale that ends on a number of mysterious, and brings a large cast of characters into the fold of the war that is to come. An interesting addition, if at times a little slow.

Annihilation: Super-Skrull by Javier Grillo-Marxuach: While undercover in “Annihilation Prologue,” Kl’rt, the Super-Skrull, heard of a device known as the Harvester of Sorrows, that was moving through the Skrull Empire, destroying planets and killing billions of Skrulls. However, Kl’rt is only moved to action due to the devices upcoming appearance at the world on which his son lives. After an escape from an evil warlord, Kl’rt sets out the save his son’s life. A well-told tale that had plenty of excitement and was full of twists.

Annihilation: Ronan by Simon Furman: Last seen being arrested by Kree forces in “Annihilation Prologue,” Ronan the Accuser was put on trial for treason, accused of using his duties as an Accuser (who acts as the complete judicial system, determining guilt, sentence, and execution of said sentence) to undermine the ruling house of the Kree, and is exiled. Ronan sets out to capture all who acted as witnesses against him, to find out the truth behind his false conviction. Yet, when arriving at a backwater planet, he finds that there is far more going on than just his revenge trip, and that the entire Kree Empire is in peril. Another well-done story, with an obviously lead-in to Annihilation.

Annihilation: Book Two does a solid job of taking the disparate tales first introduced in “Annihilation Prologue” and building upon them all until they are ready for the main event, building links that are just starting to show how they will draw all of these stories together. Both of the first two books build high levels of suspense and expectation for the final volume of this epic tale of war in space.

8/10

Friday, November 20, 2009

Annihilation: Book One by Keith Giffen and Dan Abnett & Andy Lanning


After a huge investment into Marvel Comics’ “cosmic universe,” picking up copies of Annihilation Classic, Silver Surfer: Rebirth of Thanos, Infinity Gauntlet, Infinity War, Infinity Crusade, Volume 1, and Infinity Crusade, Volume 2, I was finally up to date and ready to dive into the three volume Annihilation series. Yet it was a far longer space of time before I finally, now, return as promised. Annihilation: Book One contains three stories:


Drax the Destroyer: Earth Fall by Keith Giffen: Working as a prologue to the Annihilation series as a whole, this story follows a downed space craft prisoner transport that had been in the process of taking a number of convicts to an interstellar jail set up for those never to be released. However, after the ship malfunctions, the craft crashes on Earth, near a small town in Alaska. On board are a number of notable characters, including Paibok (Power Skrull), the Blood Brothers, Lunatik, and Drax the Destroyer. Paibok leads a takeover of the nearby town of Coot’s Bluff, while Drax seems to begin to recover some of his lacking intelligence. Yet, as he returns to the town, he is murdered by Paibok. From there, it is a fight to see who can save Coot’s Bluff. I very well done and entertaining story.

“Annihilation Prologue” by Keith Giffen: While Drax the Destroyer: Earth Fall sets up the Annihilation event, it is “Annihilation Prologue” that jumps things from Earth into space, and brings a large number of cosmic characters together to face the epic threat of the Annihilation Wave, an alien force so strong that it is destroying everything in its path, and the Xandarian Nova Crops is next in its path. A solid set-up to the story that will now branch out into four separate tales before pulling together again for the main body of the story.

Annihilation: Nova by Dan Abnett & Andy Lanning: The first tale to spin out of “Annihilation Prologue,” Annihilation: Nova follows Richard Rider, known as Nova, as he begins a quest in the aftermath of the Annihilation Wave hitting the Nova Corps. After meeting up with some characters that appeared in both of the previous two stories, he sets out across the universe, meeting up with Quasar and helping millions of refugees get out of the path of onslaught coming their way. Another solid story, with a conclusion that both wraps up the immediate story, but shows that there is still much to come.

In totality, Annihilation: Book One is an exciting beginning to the major cosmic event. You don’t get a larger portion of the meat of the story, as a big chunk of prefatory material, but it all sets up what has the potential to be one of the biggest and best stories in Marvel cosmic history, one that could rival even the Infinity Trilogy of Jim Starlin.

8/10

Wednesday, November 18, 2009

The Lost Fleet: Dauntless by Jack Campbell

Anyone who is even a remotely regular reader of Luke Reviews knows that I am a very big fan of the Military Science Fiction subgenre. However, lately I haven’t gotten to read much of that, and I just knew it was time for a return. I was looking for a short, quick read, and I saw The Lost Fleet: Dauntless by Jack Campbell lying on my shelves, picked up on a whim many months ago, and thought, why not?


The Lost Fleet: Dauntless follows Captain John “Black Jack” Geary, member of the Alliance navy. Thought dead over a hundred years ago, Geary was picked up in an escape pod, preserved in suspended animation of a sort, and returned to a war he thought he had left behind, fighting the Syndics, the rival group of humanity fighting for control of the stars. As things begin to fall apart, the Alliance fleet that picked up Geary turn to him to save them, and help them to return home with a very valuable piece of equipment.

Dauntless is a little different from the usual fare of Military Science Fiction that I read, in that it focus on naval space battles, space ships fighting space ships, and not a close combat, more immediate type of conflict and action. However, that is certainly not a detriment, as Campbell takes the ideas to a whole new level.

The scientific aspect of the story is stellar in itself. Rarely seen taken into account, the relativistic affects of extreme speeds and the inability to see something in real time when it is in distances measured in terms of the speed of light, and the compensation needed to work around these limits, was sheer brilliance. They are integrated so smoothly into the plot, without any hitches at all, that it seems commonplace rather than genius.

The action is very tight and fast-paced as well. While there are only a couple of actual major battles in the book, both are huge, epic ordeals that are stretched out due to the vast distances of space, yet never lag in intensity. Every minute of potential dead-time is filled with perfect story-building elements. The plot is never lacking in the drive to keep you moving through the novel, be it the suspense of build-ups prolonged by distance, or the inter-personal relationships of people sharing a ship in the midst of space, or even the societal concepts that Campbell works in so subtly that you never once feel that they are out of place, every ounce of this book is worth the price and then some.

This reviewer was blown away by The Lost Fleet: Dauntless. You would be hard pressed to find another military science fiction book out in the last ten years that was as good a read as this one. Campbell balances religion, hero-worship, the ethics of war, the pain of losing a comrade, and leadership qualities in a non-stop page-turner. This was one of the best books ever reviewed here at Luke Reviews. Pick it up. And then find the sequel, The Lost Fleet: Fearless. I know I will.

10/10

Monday, November 16, 2009

“2 B R 0 2 B” by Kurt Vonnegut, Jr.


Kurt Vonnegut is a huge name in the worlds of modern literature, as master satirist, black comedian, and thoughtful novelist. From his first novel, Player Piano, to classics such as Cat’s Cradle and Slaughterhouse-Five, to his later works, such as Hocus Pocus, Timequake, and Armageddon in Retrospect (which will be reviewed here sooner rather than later), he has put out one classic after another. However, his start was much humbler, selling short stories to magazines such as Worlds of If, including his sadly overlooked classic, “2 B R 0 2 B,” out in a very small paperback (pamphlet, almost) from Wildside Press.


“2 B R 0 2 B” is a brief glimpse into a utopian-esque future, where a peaceful planet is happily beyond the necessity of death, and population control helps everyone have the space they need. Yet, one father-to-be is about to have triplets, and his stay in the waiting room is fraught with anguish, because his children will die if he can’t find three volunteers to die in their place.

Vonnegut shows his powerful writing skills in this brief story of a utopia that may not be. The length is diminutive, but for the very small cover charge, this is a very good pick-up for a short burst of thought-provoking science fiction from a literary master.

[NOTE: Luke Reviews doesn’t give short stories individual ratings. “2 B R 0 2 B” is a short story, and thus receives no numerical rating.]

Saturday, November 14, 2009

The Mammoth Book of Best New Horror, Volume 20 edited by Stephen Jones


As far as “best of the year” collections go, the horror field doesn’t have a huge number. Night Shade Books has just started up Best Horror of the Year, which seems to be replacing The Year’s Best Fantasy and Horror, which is currently on hiatus, if not canceled. Beyond that, it is slim pickings, with the sole exception being Stephen Jones’ The Mammoth Book of Best New Horror series, which has hit a twentieth year. As far as anthology series go, that is quite exceptional (The Year’s Best Fantasy and Horror made only twenty-one). Jones begins things with a very long introduction, where he goes over the entire horror field, from books to short stories to graphic novels to television and movies, which is in itself a treasure trove of things to look into for the horror fan. After that, the tales begin:


“Front-Page McGuffin and the Greatest Story Never Told” by Peter Crowther: Crowther tells a story of a man who suffers the deepest of horrors: the death of his wife. This spectacular tale is equally beautiful and poignant, and the touches of humor are expertly done.

“It Runs Beneath the Surface” by Simon Strantzas: This tale of a man running from shadows is intriguing, but a touch predictable. Good, but not great.

“These Things We Have Always Known” by Lynda E. Rucker: A great “weird town” story, “These Things We Have Always Known” keeps the weird vibes rolling the whole way through.

“Feminine Endings” by Neil Gaiman: With one of the creepiest endings in the entire volume, Gaiman’s love letter is written in wonderful prose, and leads up to an excellent conclusion.

“Through the Cracks” by Gary McMahon: A Lovecraftian horror story of creatures trying to come through the cracks in our dimension, McMahon adds into the mix a very well-rounded character that can sometimes be missing in Lovecraft. An excellent story.

“Falling Off the World” by Tim Lebbon: Lebbon tries to add weird to the thought of getting lifted away by a balloon, but this story falls rather flat, containing no horror, just bizarre fantasy that didn’t do much at all as a story.

“The Old Traditions Are Best” by Paul Finch: An entertaining story of an old tradition meeting the modern world.

“The Long Way” by Ramsey Campbell: Likely the best story in the volume, Campbell’s tale of a boy haunted by an unknown figure is incredible. Campbell ties in the wonder of youth and the hardships of old-age, all while creating an incredible level of tension and suspense. A near perfect story.

“The Pile” by Michael Bishop: A shorter jaunt about a brother and sister who can’t escape the pile of goods that are left next to the dumpster. Entertaining, if not excellent. The story behind it, of Bishop writing it based on the notes of his son who was killed at the Virginia Tech shooting, is more powerful.

“Under Fog” by Tanith Lee: A sometimes dense tale of a town with a dark secret. It wasn’t as effective as the other weird town story in this volume, “These Things We Have Always Known.”

“Arkangel” by Christopher Fowler: A slow start lead to a wonderfully moody story of two friends trapped on a train with a very dark termination point.

“The Camping Wainwrights” by Ian R. MacLeod: A fun, atmospheric story that devolved into violence before reasserting itself, this almost non-horror story was a lot of fun to read, and another gem of this collection.

“A Donkey at the Mysteries” by Reggie Oliver: While Oliver packs in a lot of historical information (occasionally a little too heavily handed), it is a very fun story with great writing, and a conlusion more than worth the time spent reading.

“The Oram County Whoosit” by Steve Duffy: Another Lovecraftian tale, this of an unknown creature discovered in a small town, it also contains the inner part of the frame story, of a trip to the Yukon that resulted in terror. Duffy has made a wonderful homage to a master of the genre.

“The New York Times at Special Bargain Rates” by Stephen King: A touching and sad story of a woman getting one last conversation with her dead husband. A powerful piece by King. Another must read.

“Our Man in the Sudan” by Sarah Pinborough: Rather dry and without much of a conclusion, this story about a missing MI6 agent in the Sudan didn’t do much for me.

“’Destination Nihil’ by Edmund Bertrand” by Mark Samuels: A weird story that I am sure contained some deep, symbolic meaning that was totally over my head. Because of that, I found it odd and confusing, if a little reminiscent of (although far more hard to get than) Franz Kafka.

“The Overseer” by Albert E. Cowdrey: The longest story in the book, and one of the best, Cowdrey’s tale of Old South horror and haunting was incredible. He builds his historical setting richly, and then infuses the horror elements subtly and to full effect, with a denouement that was perfect. This plays a very close second to Ramsey Campbell’s story for best in the volume.

“The Beginnings of Sorrow” by Pinckney Benedict: A slow story of a dog becoming more man like, that I just couldn’t finish.

“The Place of Waiting” by Brian Lumley: This story I skipped. Nothing against Lumley, because he is a master of the genre without doubt, but I had a very busy few days and just wasn’t feeling like it. I will come back to read this one someday, and will share my thoughts then.

“2:00 pm: The Real Estate Agent Arrives” by Steve Rasnic Tem: A very short, very creepy story of a house not quite as free of horror as it would seem.

This is all wrapped up with a long and extensive “Necrology” by Stephen Jones & Kim Newman that gives a listing of the people important to the horror field who died within the last year, and their accomplishments, as well as a list of “useful addresses” for horror-related topics, including magazines and small press publishers.

All-in-all, The Mammoth Book of Best New Horror, Volume 20 is a wonderful addition to any horror fans library. While some of the stories weren’t my thing, that is bound to occur with any volume of “best of” stories, as no editor will have the exact same tastes I do. From the “state of the genre” intro to the huge selection of stories, this is a volume that has huge amounts of fiction (it is indeed mammoth, both in page count and words per page) for a decent price. Check it out.

9/10